![]() ![]() Mark Tanner, Classical Music Magazine, The book is eminently successful, not least because of Leon Botstein's magisterial concluding essay, which is perhaps the best summary of the composer's cultural legacy to have appeared in English. This valuable compendium of eks to explain Liszt's extravagant and sweeping musical presence in Europe within a broader historical context.A compassionately put together tome, its modestly-priced 587 pages are more than deserving of a place in the Liszt fan's bookcase. Introductions to and commentaries on these documents are provided by Peter Bloom, José Bowen, James Deaville, Allan Keiler, Rainer Kleinertz, Ralph Locke, Rena Charnin Mueller, and Benjamin Walton. Franz Liszt and His World also includes key biographical and critical documents from Liszt's lifetime, which open new windows on how Liszt was viewed by his contemporaries and how he wished to be viewed by posterity. Rainer Kleinertz examines Wagner's enthusiasm for Liszt's symphonic poem Orpheus Christopher Gibbs discusses Liszt's pathbreaking Viennese concerts of 1838 Dana Gooley assesses Liszt against the backdrop of antivirtuosity polemics Ryan Minor investigates two cantatas written in honor of Beethoven Anna Celenza offers new insights about Liszt's experience of Italy Susan Youens shows how Liszt's songs engage with the modernity of Heinrich Heine's poems James Deaville looks at how publishers sustained Liszt's popularity and Leon Botstein explores Liszt's role in the transformation of nineteenth-century preoccupations regarding religion, the nation, and art. The essays brought together in Franz Liszt and His World advance our understanding of the composer with fresh perspectives and an emphasis on historical contexts. In his roles as keyboard virtuoso, conductor, master teacher, and abbé, he reinvented the concert experience, advanced a progressive agenda for symphonic and dramatic music, rethought the possibilities of church music and the oratorio, and transmitted the foundations of modern pianism. At various points in his life he made his home in Vienna, Paris, Weimar, Rome, and Budapest. No nineteenth-century composer had more diverse ties to his contemporary world than Franz Liszt (1811-1886).
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